Come stà. Domenico Maria Ferrabosco (Bologna ) Cantus. - ta, _e vo - lon - tie - ri M'al -le-gro _e can -to _en. Io mi son gio vi. - PDF

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Cantus Altus Io mi son giovinetta Come stà Domenico Maria Ferrabosco (Bologna ) Io mi son gio - vi -net - ta, _e vo - lon - tie - ri M'al -le-gro _e can -to _en Io mi son gio - vi - net - ta,

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Cantus Altus Io mi son giovinetta Come stà Domenico Maria Ferrabosco (Bologna ) Io mi son gio - vi -net - ta, _e vo - lon - tie - ri M'al -le-gro _e can -to _en Io mi son gio - vi - net - ta, e vo -lon -tie - ri M'al -le -gro _e can to _en la sta - Tenor Io mi son gio - vi - net - ta, e vo - lon - tie - ri Bassus Io mi son gio vi - -net - ta, _e vo - lon - tie - ri M'al 5 la sta -gion no -vel - la, en la sta -gion no -vel - la, Mer -zé d'a -mo - re, -re_e de' dol gion no - - vel - la, en la sta -gion no - vel - la, Mer - zé d'a -mor, -re _e de' dol M'al -le -gro _e can -to _en la sta - gion no - vel - la, Mer - zé d'a -mor, -re _e de' dol le-gro _e can -to _en la st gion, - sta - gion no - vel - la, Mer - zé d'a -mor, r 10 io ci pen io vo pe' ver -di - sie - ri. e de' dol -ci pen -sie - ri. Io vo pe' ver -di Io vo pe' ver -di 2 Ferrabosco - Io mi son giovinetta 15 vo pe' ver -di ti ri-guar - dan - - do I bian -chi fio - ri, i -ti ri - guar - dan - - do I bian -chi fio - ri, i bian -chi io vo pe' ver -di ti ri-guar -dan - do I bian -chi fio - ri, _e gial - li, ti ri - guar - dan do - - I bian -chi fio - 19 bian -chi fio - ri, _e' gial - li, Le ro - se _in su le spi - ne, ei bian - chi fio - fi, e' gial -li, Le ro -se, le ro-se _in su le spin -ne, _eibian -chi ei ver -mi - gli, gial - li, ei ver -mi - gli, Le ro-se _in su le spi -ne, _ei bian -chi ri, i bian -chi fio - ri, _e gial li, - Le ro-se _in su le spi - ne, ei bian -chi 24 gi-gli, _E tut - ti quan -ti, e tut - ti quan -ti gli vo so - mi - glian - do Al vi-so - gli, E tut -ti quan -ti, quan - ti gli vo so - mi - glian - do Al vi-so - gli, E tu - ti quan -ti, quan -ti gli vo so -mi -glian -do _Al vi-so - lu - i, al vi-so - gli, E tut - ti quan -ti, e tut - ti quan - ti gli vo so-mi -glian - do 29 lui, al vi - so - lui - do - mi, - do - mi mi pre - sa ter - ra sem lui, al vi - so di - co - lui -, - do - mi mi pre lui, al vi - so - lui -, - do - mi mi pre sa Al vi so Ferrabosco - Io mi son giovinetta 3 - sa e ter - ra - e - - lui -, - do - mi mi pre - sa e 32 ter sem - pre,, mi pre -sa _e ter - rá sem - pre,, mi pre ter -ra sem - pre, do mi, - sa, mi pre -sa _eter - - pre. - rá sem - pre. - do mi mi pre - sa e ter -rá sem - - pre. -ra sem - pre,, mi pre - sa e ter - rá sem - pre. I am a young girl, and I like To be merry and sing in the new season (spring), Thanks love and sweet thoughts. I go through the green meadows, looking At the flowers, white and yellow, At the roses over the thorns, at the white lilies, And more and more they look to me like The face of whom, loving me, Loving me will catch me and hold me forever. I made this version from the source file of Brent Alexko s edition in CPLD, and copied the translation from the the CPLD page. I transposed the piece to its original key, G Doric. The original clefs are G2, C2, C3 and F3, so these are high clefs or chiavette. This means that the piece should be performed one fourth down, alla quarta bassa. So I add a version alla quarta bassa. I compared the accidentals and the notes with the edition by R. Charteris in CMM 102 (1992). From this edition I corrected some cadence notes, especially the final bass note (one octave up). I minimized the use of accidentals and compared the Cantus part with the two voice arrangement by Jan Pieterszoon Sweelinck in Rimes Françoises et Italiennes, Leiden 1612 (also in this website). Many composers made their arrangements of this piece, for instance Monteverdi and Arcadelt, Sweelinck is possibly the last one. There exists a lute transcription by Vincenzo Galilei, but I did not consult it. The text is from Boccaccio's Decamerone, Neifile's song on the 9th day. Cantus Altus Io mi son giovinetta Alla quarta bassa Domenico Maria Ferrabosco (Bologna ) Io mi son gio - vi -net - ta, _e vo - lon - tie - ri M'al -le-gro _e can -to _en Io mi son gio - vi - net - ta, e vo -lon -tie - ri M'al -le-gro _e can to _en la sta - Tenor Io mi son gio - vi - net - ta, e vo - lon - tie - ri Bassus Io mi son gio - vi -net - ta, _e vo - lon - tie - ri M'al 5 la sta -gion no -vel - la, en la sta -gion no - vel - la, Mer -zé d'a -mo - re, -re_e de' dol gion no - - vel - la, en la sta -gion no - vel - la, Mer - zé d'a -mor, -re _e de' dol M'al -le-gro _e can -to _en la sta - gion no - vel - la, Mer - zé d'a -mor, -re _e de' le-gro _e can -to _en la st - gion, sta - gion no - vel - la, Mer - zé d'a -mor, r dol 10 io - ri. io vo pe' ver -di Io vo pe' ver -di e de' dol -ci pen -sie - ri. Io vo pe' ver -di 2 15 vo pe' ver -di ti ri-guar - dan Ferrabosco - Io mi son giovinetta - - do I bian -chi fio - ri, i - ti ri - guar - dan - - do I bian -chi fio - ri, i bian -chi io vo pe' ver -di ti ri-guar -dan do - I bian -chi fio - ri, _e gial - li, ti ri - guar - dan - - do I bian -chi fio - 19 bian -chi fio - ri, _e' gial - li, Le ro - se _in su le spi - ne, ei bian - chi fio - fi, e' gial -li, Le ro - se, le ro-se _in su le spin -ne, _eibian -chi ei ver -mi - gli, gial - li, ei ver -mi - gli, Le ro-se _in su le spi -ne, _ei bian -chi ri, i bian -chi fio - ri, _e gial - li, Le ro-se _in su le spi - ne, ei bian -chi 24 gi-gli, _E tut - ti quan -ti, e tut - ti quan -ti gli vo so - mi - glian - do Al vi-so - gli, E tut -ti quan -ti, quan - ti gli vo so - mi - glian - do Al vi-so - gli, E tu - ti quan -ti, quan -ti gli vo so -mi - glian -do _Al vi-so - lu - i, al vi-so - gli, E tut - ti quan -ti, e tut - ti quan - ti gli vo so mi -glian - do 29 lui, al vi - so - lui -, - do - mi mi pre - sa ter - ra sem lui, al vi - so di - co - lui -, - do - mi mi pre lui, al vi - so - lui ch'a man Al Ferrabosco - Io mi son giovinetta 3 - sa e ter - ra - -, - do - mi mi pre - sa e vi - so - lui -, - do - mi mi pre - sa e 32 sem - pre, do - mi, mi pre -sa _e ter - rá sem - pre, do - mi, mi pre - sa, mi pre -sa _eter - - pre. - rá sem - pre. ter -ra sem - pre, do - mi, do mi mi pre - sa e ter -rá sem - - pre. ter -ra sem - pre, do - mi, mi pre - sa e ter - rá sem - pre. I am a young girl, and I like To be merry and sing in the new season (spring), Thanks love and sweet thoughts. I go through the green meadows, looking At the flowers, white and yellow, At the roses over the thorns, at the white lilies, And more and more they look to me like The face of whom, loving me, Loving me will catch me and hold me forever. I made this version from the source file of Brent Alexko s edition in CPLD, and copied the translation from the the CPLD page. I transposed the piece to its original key, G Doric. The original clefs are G2, C2, C3 and F3, so these are high clefs or chiavette. This means that the piece should be performed one fourth down, alla quarta bassa. This is the version alla quarta bassa. I compared the accidentals and the notes with the edition by R. Charteris in CMM 102 (1992). From this edition I corrected some cadence notes, especially the final bass note (one octave up). I minimized the use of accidentals and compared the Cantus part with the two voice arrangement by Jan Pieterszoon Sweelinck in Rimes Françoises et Italiennes, Leiden 1612 (also in this website). Many composers made their arrangements of this piece, for instance Monteverdi and Arcadelt, Sweelinck is possibly the last one. There exists a lute transcription by Vincenzo Galilei, but I did not consult it. The text is from Boccaccio's Decamerone, Neifile's song on the 9th day.
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